"Here’s a small fact: you’re going to die."
An orphan boy eats a meal of cold gruel and breadcrumbs at the unheated Sarajevo orphanage during the Bosnian Serb siege of Sarajevo, Bosnia and Herzegovina, February 1993.
Maïmouna Patrizia Guerresi
As a photographer, sculptor, and installation artist, ‘Maïmouna’ Patrizia Guerresi reveals unique and authentic sensibilities in her narration of the beauty and subtleties of racial diversity and multiculturalism. Over an established career, she has developed her own symbolism, which combines cosmological and ancestral traditions belonging to various European, African, and Asian cultures. Her personal commitment to Baifall Sufism has led her to produce an aesthetic that is able to bridge time, space and civilisations, as well as figuration and abstraction.
The human body is seen as the nucleus and temple of the soul, a place that houses a delicate, higher awareness; the very conduit for encompassing natural and cosmic forces. More about mysticism than any singular religion, her work is visionary in that it restores those elusive qualities of sacredness and unity in our frequently dehumanising and fragmented contemporary visual world. Her classic iconographic style explores the universality of human experience and reclaims the often hidden nurturing powers of feminine energy. Presented as a kind of free flowing epic, the viewer is left to read the significance of her imagery and quietly meditate on its potential to personally engage with its audience. As if her figures were speaking directly to each one of us.
From her earliest experiments with the physicality and archetypal imprinting of the psyche, through to her latest, evermore metaphoric ‘inner constellations’, Maïmouna insists on a cross-cultural discourse and an expansion of the boundaries that normally dictate our individual attitudes. She invites us to see further and to look deeper – past skin colour, preconceptions, and ethnic landscapes – into the wider paradigm of inclusion. She leads us through apparently simple notions of dimensionality into the exquisite, mystical and fragile complexities of life from within. - Rosa Maria Falvo,
This view of the northern reaches of Tehran, Iran is notable for showing a type of Iranian waterway. The steps prevent the water from rushing down the sloped waterway with too much force. Note the depth: when snow melt becomes heavy the waterway fills up rapidly.
You know what sucks
Out growing your friends
Because you are progressing faster than them and its like “wow you need to hurry up I don’t want to leave you.”
So you try to rush them and you slow down and you’re both just really unhappy trying to mantain something that’s slowly withering away
I ask Allah the Glorious for forgiveness
No mosque? No problem. Thousands of Russian Muslims offer Eid prayers on a street in Moscow. 19 August, 2012. Reuters / AP
